‘All the
Money in the World’ proves Ridley Scott’s tenacity. Director of the ‘Alien’ movies and
‘Gladiator’ has consistently shown his determination in getting things
done. When an unseemly scandal involving
one of the film’s stars threatened to derail it, Scott simply re-shot his
scenes with another actor. Such action
would normally fracture a movie’s narrative due to dis-jointed editing. Little of that is seen with Scott’s latest
despite other general inadequacies.
In 1973,
masked men kidnap Paul (Charlie Plummer), the grandson of the world’s richest
man, Jean Paul Getty (Christopher Plummer).
Refusing their ransom demand, Getty aims to bluff it out. His daughter-in-law Gail (Michelle Williams) wants
him to pay the ransom. Desperate to save her son, she will do anything to keep
him from harm. Sending his security man
Fletcher (Mark Wahlberg) to help Gail, Getty’s stubbornness puts him at
loggerheads with those around him. With
time running out, Gail’s worries reach fever pitch with the fate of her beloved
child up in the air.
It’s ironic
that ‘All the Money in the World’ captivates due to Christopher Plummer’s
performance. Parachuted in at the last
minute to replace actor Kevin Spacey, Plummer perfectly encapsulates Getty’s
drive. A man obsessed and trapped by
money, Getty knew how to use it to control people and events. A genuine sense of entitled arrogance shines
through Plummer’s character, making it difficult believing anyone else could
have done the role justice. Williams and
Wahlberg pale in comparison with their performances lacking authenticity.
The biggest
problem ‘All the Money in the World’ has is Scott’s direction. Over the last decade, the emotional quality
of his work has diminished. There’s a
cold, clinical feel to his stories with the absence of passion and urgency
clearly seen. You feel Scott is going
through the motions instead of teasing out the story’s drama. The script is also drawn-out despite
true-life events promising compelling viewing. Not much of that is evident even
if the Italian locations add immeasurably to the atmosphere.
‘All the
Money in the World’ could have been much better than what’s presented. Moments rather than the overall movie catch
fire with only Plummer’s rendition of an embittered tycoon generating
interest. But all credit to Scott for
turning a terrible crisis into a plus showing he shares the same strong minded
will of the film’s damaged characters.
Movie Review
Rating out of 10: 6
Movie Review
by Patrick Moore
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