Every year director Woody Allen presents a movie that is usually
eagerly awaited. Whilst most have been comedies, there have been a few
dramas amongst his extensive back catalogue. His gift in mixing both
genres with a dash of romance has served him well with his recent output.
‘Café Society’ is more of the same. That isn’t bad as it reflects the
high calibre of film-making for which Allen is renowned. With stylish wit
and performances, his latest silver screen soufflé is a delight few can resist.
In 1930’s New York, Bobby (Jesse Eisenberg) is looking for a
job. Travelling to Hollywood where he gains employment from his high
powered agent uncle Phil (Steve Carell) and marvels in his new life.
Things get better when he meets his Uncle’s secretary Vonnie (Kristen
Stewart). Falling in love, they begin a blossoming relationship.
Complications arise via secret boyfriends and eager ladies who make Bobby’s and
Vonnie’s romance a less than smooth path to eternal happiness.
Allen’s films have always relied on the strength of his
characters. How they interact with each other and view life ensures humour
comes naturally. ‘Café Society’ features an abundance of this form of
comedy within a dramatic structure. Shown through the romance of the
central duo, life offers a myriad of complications with fate and consequence
playing a large part. The ripple effect of their actions can be felt for
years as they realise what they’ve done has changed them.
This heavy subtext elevates the humour which is at Allen’s
usual wry best. One could call ‘Café Society’ a ‘safe Allen movie’ as
whilst it’s still top drawer Allen, it doesn’t push any boundaries.
Perhaps he’s at an age where he doesn’t need to as the actors he chooses bring
much gravitas to his words. Eisenberg and Stewart are well chosen for
their roles with their co-stars of the typical sturdy calibre often seen in
Allen’s films. The jazz score and cinematography are pleasing on the eyes
and ears capturing the beautiful elegance of 1930’s.
‘Café Society’ is a nice, breezy effort slotting well into
the Allen repertoire. It may not change your viewpoint about him as a
film-maker but it offers amiable viewing few can match. No doubt he will
continue creating movies until his final day although his refined creativity
will endure with films like these.
Movie Review Rating out of 10: 7
Movie Review by Patrick Moore
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